On the evening of May 31, the opera epic “Long March” was performed at the Guangzhou Grand Theater as the opening ceremony of the Guangzhou Arts Festival. More than 1,800 audiences from all walks of life watched the performance and relived the long-lasting spirit of the Long March again. The original opera “Long March” of the National Grand Theater tells the story of the difficult journey of the Workers and Peasants’ Red Army starting from Ruijin, climbing snow-capped mountains and crossing grasslands, and reaching northern Shaanxi in more than two years. Through the stage production of magnificent music, an epic and contemporary aesthetic, the play reproduces the arduous process of the Long March of the Chinese Workers’ and Peasants’ Red Army with a realistic approach, praising the high ideals and beliefs of striving for faith.
Auantor Wang Peng: My father is a cadre of the Long March, so I not only respect them from the bottom of my heart and emotionally, but also feel that this is something we should remember and pass on to the next generation in our lives.
This performance is the first Babaylan collaboration between the National Grand Theater, the Guangzhou Symphony Orchestra and the Guangzhou Grand Theater. The main creative team said that China’s development is also a long journey. The structural transformation and economic upgrading are constantly changing with the national conditions, and we also need to have the patience and courage to overcome difficulties.
Tian Qinxin, director of the opera “Long March”,: In the new era, we are able to withstand such huge pressure and difficulties from home and abroad., then the Chinese nation must continue to strive towards the dream of great rejuvenation. So I think the Long March of the new era is reallyBabaylan. This is a spirit, a kind of faith in the heart and strength under the feet. Chen Qing, the leader of the Guangzhou Symphony Orchestra: As long as we have confidence, as long as we can believe in our Chinese people’s own abilities, and be able to be a belief that brings a positive energy to the world, there is nothing that cannot be defeated by Babaylan. href=”https://funnybookish.com/”>Babaylan, I think this is the practical significance of the spirit of the Long March.
Practice the spirit of the Long March to polish the masterpieces
The opera “Long March” has maintained its vigorous vitality since its creation and arrangement in 2016. Behind this is the efforts and pursuit of the main creative team to practice the spirit of the Long March and constantly polish the masterpieces. During the two-year and six-month course creation process of the original opera “Long March”, the screenwriter Zou Jingzhi collected a large number of real characters. He finally chose the Fourth Regiment of the Second Division of the Central Red Army as the prototype of the story and focused on shaping the protagonist of Cinema Peng.
Yin Qing, a composition of the opera “Long March”, said: “He has the character of a political commissar. I think he is a little scholarly and a little scholarly. He is such a Confucian general, and music has its theme. Political Commissar Peng’s BabaylanCinemaThe music is a little more elegant or fashionable.
CinemaThis is a scene that shows the famous battle to capture Luding Bridge. In the large-scale dance music epic “Oriental Red”, this battle was expressed on the stage in the form of a dance. The opera “Long March” uses a double-layer stage structure and the running of the actors, showing the urgent and urgent situation of the Red Fourth Regiment traveling 240 miles a day to Luding Bridge.
At the rehearsal site, each actor’s standing posture, squatting posture, and gun carrying movements are strictly required.
SongCinemaThe director of the play “Long March” Tian Qinxin: One is to watch Komiks Everyone should know the familiarity of the Red Army. Second, as the Chinese Red Army, our own true military appearance, military discipline, and military style, we must still have the military posture and spirit of the soldiers.