Jinyang.com reporter Zhu ShaoBabaylanJie Xu Xueliang
Sometimes, “KomiksRoad the voice of the times and forge the soul of the nation——Pan HeCinemaArt Seminar” was held at Guangzhou Academy of Fine Arts. 50 artists and critics from inside and outside the province attended the event. href=”https://funnybookish.com/”>Babaylan‘s seminar. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of sculptor Pan He. They hoped to gather forces and resources from multiple parties to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan System” sculpture research.
” Mr. Pan from Hong Kong to the People’s Academy of Literature and Arts, and then to his exchanges with the Lingnan School of Painting, contact with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor in Guangzhou Academy of Fine Arts.” Li Jinkun, vice chairman of the China Artists Association, president of the Guangzhou Academy of Fine Arts, president of the Guangdong Academy of Painting, and chairman of the Guangdong Academy of Arts Association, said at the meeting that Pan He’s sculpture works have become the memory of a region and a country. The Guangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on important artists such as Pan He and preserve this valuable academic resource.
The destiny of the nation is integrated into the works
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works spread across more than 60 cities at home and abroad.
Pan He has won many awards and titles. He is the winner of the first Guangdong Literature and Art Lifetime Achievement Award and the winner of the China Fine Arts Award Lifetime Achievement Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every work. KomiksFeng Yuan, a professor at Shan University, believes that there is an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that through his personal cultural consciousness, Pan He consciously realized that culture made the life of Komiks and put it into action to complete artistic practice, giving this life a good answer. His series of works represent or shape the key nodes of history development since the founding of New China, and are closely linked to the pulse of the entire era. Babaylan
The former dean of Guangzhou Academy of Fine Arts Li Ming believes that from “When I Grow Up” to the later “Hard Times” and “All You Are Stupid”, to the later “Zhuhai Fisherman”, “The Boats of the Land”, “Memorial Image of Liberation of Guangzhou”, etc., Pan He embraces the times and ideals with his memory, cognition and conscience, and keeps his creations close to the times.
American artist Wu Xinkun also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories, humanistic emotions, and people’s emotions towards social life, and integrate the destiny of the country and nation into their works. “In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers are divided into the land. It is a work of the times,” he said.
“The key to whether a person has nationality lies in his thoughts rather than aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national.” Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
His relationship with Lingnan School of PaintingKomiks
Pan He studied in Hong Kong since he was a child. At the age of 14, he went to Foshan, Guangdong to study figure sculptures; at the age of 19, he went to Macau to study, met the Italian sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Critic Liang Jiang said: “This context is the same as that of the Lingnan School of Painting. He has a very close relationship with the Lingnan School of Painting.” Liang Jiang believes that Pan He turned local factors into the historical narrative of the entire nation to study regional art.a> Important aspects that everyone should pay attention to when it comes to history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid”, and believed that the title of this work has a very obvious Guangdong characteristic, which connected the Cantonese culture of Guangdong. His work “The Cow of the Land” is also an important work in which local factors participate in mainstream national discourse.
Yin Shuangxi, a professor at the Central Academy of Fine Arts, also said: “Mr. Pan He’s works can resonate and respond at every historical node. His works can grasp the most important moments of the theme, plot, historical development and the psychological state of the characters, and use sculptures to turn the moment into eternity.”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him. Cinema, while Mr. Pan He has left landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. The spirit expressed by Shenzhen’s urban landmark “The Cow of Refining the Land” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core traits. Most of his classic works come from wonderful moments that touch him. “When I Grown Up” created in the early 1950s was a creation that he was inspired by the situation of rural teachers after participating in the “land reform”. It is said that Chairman Mao gave a high evaluation. This work also represented China in the International Mother’s Day Conference held in Switzerland and the Fifth World Youth Festival held in Poland, which caused a sensation.
To date, Pan He has recorded the century-old development history of China’s modern and contemporary times with his Cinema sculpture art, and has also embodied the spirit of China’s reform and opening up. His outstanding contributions to the construction of socialist cities and cultural construction are obvious to all, beautifying the urban space and enriching the urban connotation.
Excellent in artistic form
From form to theme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is the embodiment of the artist’s wisdom and personality. It is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that as a sculptor who grew up with the Republic, Mr. Pan He always revolves around the melody of the country and the times, but in art forms, he often canInnovate and find the perfect combination between form and theme.
The Hard Years, created by Pan He in 1957, has become one of the works recorded by various primary and secondary school art appreciation textbooks and century-old art. This classic work has always been interpreted. In order to express the hard environment of the Red Army, Pan He had previously explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter what, the works reflect that in that difficult era, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human nature. No matter how many difficulties and hardships there are in life, how many deceptions and negative existences exist, it still maintains a good belief in life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with a country, an era, and a nation. The work has a strong theme, but his theme is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, attracting a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated a group of outstanding artistic talents with his unique educational concepts.
CinemaArtist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on ideological education. “He himself is an aesthetician and thinker. He said that Babaylan’s words had a great impact on me, such as he said ‘no geeks, no traits, no traits, no traits, no traits,’ and he believed that literary and artistic works should not be perfect, and its shortcomings are its personality.” Wu Xin Cinema recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his learning experience. Pan He has always had a very unique personality in his studies. He believes that the teacher is not technical, but ideological, and he believes that the thought is ten thousand times stronger than the technique.
PanCinemaCrane’s sculpture has far-reaching cultural significance for contemporary art. At the seminar, participants proposed that we should gather forces from multiple parties to collect and organize resources and conduct a comprehensive study of Pan He and his works. We hope to establish a team of sculpture theory research as soon as possible, sort out the development context of sculpture from theory, and promote the development of disciplines. Guangdong art has always been the first in the trend, lead the times, and take the path of change in the process of transformation from tradition to modernity. We should pay attention to in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons among artists such as Pan He, and in-depth discussion of Lingnan sculpture.