Jinyang.com reporter Zhu Shaojie Xu Xueliang
Recently, the “Speaking the Voice of the Times and Forging the Soul of the Nation – Pan He Art Seminar” was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from both inside and outside the province attended the seminar. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of the sculpture Cinema 1950 witch cloth drawPan He, and hoped to gather forces and resources from multiple parties to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan System” sculpture research.
“Old Pan from Hong Kong to the People’s Academy of Literature and Arts, and then to his exchanges with the Lingnan School of Painting, and contact with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worthy sculptor in Guangzhou Academy of Fine Arts.” Li Jinkun, vice chairman of the China Artists Association, president of the Guangzhou Academy of Fine Arts, president of the Guangdong Academy of Painting, and chairman of the Guangdong Academy of Arts Association, said at the meeting that Pan He’s sculpture works have become the memory of a region and a country. Guangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on important artists such as Pan He and preserve this valuable academic resource.
The destiny of the nation is integrated into the works
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works spread across more than 60 cities at home and abroad.
Pan He has won many awards and titles, and is the winner of the first Guangdong Lifelong Achievement Award and the winner of the Lifelong Achievement Award of the Chinese Art Award. In the eyes of many artists and critics, he Komiks 1960 witch cloth draw is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that Pan He consciously understood the cultural mission through his personal cultural awareness and put into action to complete artistic practice, giving this proposition a good answer. His series of works represent or shape the key nodes of historical development since the founding of New China and are closely linked to the pulse of the entire era.
Guangzhou Academy of Fine ArtsBabaylan 1990 cloth drawFormer dean Li Ming believed that from “When I Grow Up” to the later “Hard Times” and “I’m stupid to care about you”, and then to the later”Zhuhai Fisherman”, “The Cow of the Land”, “Commemorative Poem of Liberation of Guangzhou”, Cinema 1950 witch cloth draw “Peace”, etc., Pan He embraces the times and ideals with his memory, cognition and conscience, and keeps his creations close to the times.
American artist Wu Cinema 1950 witch cloth drawXin Kun also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories, humanistic emotions, and people’s emotions towards social life, and integrate the destiny of the country and nation into their works. “In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers are divided into the land. It is the work of the times. “He said.
“The key to whether a person has nationality lies in his thoughts, not his aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national.” Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since he was a child. At the age of 14, he went to Foshan, Guangdong to study figure sculptures; at the age of 19, he went to Macau to study, met the Italian Komiks 1960 witch cloth draw sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Critics Komiks 1960 witch cloth draw Liang Jiang said: “This context is the same as that of the Lingnan School of Painting. He has a very close relationship with the Lingnan School of Painting.” Liang Jiang believes that Pan He’s transformation of local factors into the historical narrative of the entire nation is an important aspect that everyone should pay attention to when studying regional art history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid”, and believed that the title of this work has a very obvious Guangdong specialtyThe color connects the Guangdong Cantonese cultural circle. His work “The Cow of the Land” is also an important work in which local factors participate in mainstream national discourse.
Yin Shuangxi, a professor at the Central Academy of Fine Arts, also said: “Mr. Pan He’s works can resonate and respond at every historical node. His works can grasp the most important moments of the theme, plot, historical development and the psychological and mental state of the characters, and use sculptures to turn the moment into eternity.”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him, and Mr. Pan He has left landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. The spirit expressed by Shenzhen’s urban landmark “The Cow of Refining the Land” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core traits. Most of his classic works come from wonderful moments that touch him. “When I Grown Up” created in the early 1950s was a creation that he was inspired by the situation of rural teachers after participating in the “land reform”. Chairman Mao said that he gave a high evaluation. This work also represented China’s Cinema 1950 witch cloth draw to attend the International Mother’s Day Conference in Switzerland and the 5th World Youth Festival held in Poland, which caused a sensation.
To this day, Pan He has recorded the modern and contemporary development history of China with his sculpture art, and has also embodied the spirit of China’s reform and opening up era. His outstanding achievements in socialist urban construction and cultural construction. draw‘s contribution is obvious to all, beautifying the urban space and enriching the urban connotation.
Excellent in artistic form
From form to theme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is an embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of the Guangzhou Academy of Fine Arts, believes that Mr. Pan He, as a sculptor who grew up with the Republic, has always revolved around the melody of the country and the times, but in terms of artistic forms, he often has unique ideas and finds a perfect combination between form and theme.
The Hard Years, created by Pan He in 1957, has become one of the must-have works for various art appreciation textbooks for primary and secondary schools and century-old art. This classic work has always been interpreted as a firm belief in expressing the hard environment of the Red Army. Previously, Pan He explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter how you say it, the works reflect the belief in life and life of revolutionary ancestors in that difficult era, and directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human nature. No matter how many difficulties and hardships there are in life, how many deceptions and negative existences exist, it still maintains a good belief in life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation. The work has a strong theme, but his theme is not rigid and symbolic, but grasps the characteristics of Komiks 1960 witch cloth draw art, so that the sculptural language and plot and theme are balanced, attracting a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated a group of outstanding artistic talents with his unique educational concepts.
The American artist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on ideological teaching.tps://funnybookish.com/”>Komiks 1960 witch cloth draw education. “He himself is an aesthetician and thinker. What he said has a great influence on me. For example, he said, “Not having any temptation, no harm, no harm, no harm, no reality. He believes that literary and artistic works should not be perfect, and its shortcomings are its personality. “Wu Xinkun recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his learning experience. Pan He has always had a very personal personality in his study. He believes that the teacher is not technical, but ideological, and he believes that the thought is ten thousand times stronger than the technique.
Pan He’s sculptures have profound cultural significance for contemporary art. At the seminar, participants proposed that the strength of multiple parties should be gathered. Draw, collect and organize the resources of Cinema 1950 witch cloth draw, and conduct a comprehensive study of Pan He and his works; hope to establish a team of sculpture theory research as soon as possible, and theoretically sort out the development context of sculpture development in theory to promote discipline development. Guangdong art has always been the first in the trend, the era, and the path of change in the process of transformation from tradition to modernity. We should pay attention to in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons among artists such as Pan He, and in-depth discussion of Lingnan sculpture.