Jinyang.com Cinema 1950 witch cloth drawReporter Zhu Shaojie Xu Xueliang
Recently, the “Speaking the Voice of the Times·Forging the Soul of the Nation—Pan He Art Seminar” was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from inside and outside the province attended the seminar. Cinema 1950 witch cloth draw. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of sculptor Pan He. They hoped to gather forces and resources from multiple parties to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan System” sculpture research. “Pan’s old man from Hong Kong to the People’s Arts College of Literature and Art, and then to his exchanges with the Lingnan School of Painting, contact with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor of Guangzhou Academy of Fine Arts.” Li Jinkun, vice chairman of the China Arts Association, president of Guangzhou Academy of Fine Arts, president of Guangdong Academy of Painting, and chairman of the Guangdong Academy of Arts Association, said at the meeting that Pan He’s sculptures have become the memory of a region and a country. Guangzhou Academy of Fine Arts will use more power and resources href=”https://funnybookish.com/”>Komiks 1960 witch cloth draw source comprehensively conducting research on important artists such as Pan He and Komiks 1960 witch cloth draw to preserve this valuable academic resource.
The destiny of the nation is integrated into the works
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works spread across more than 60 cities at home and abroad.
Pan He has won many awards and titles, and is the winner of the first Guangdong Lifelong Achievement Award and the winner of the Lifelong Achievement Award of the Chinese Art Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”.Thoughts permeate every work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that Pan He consciously understood the cultural mission through his personal cultural consciousness and put into action to complete artistic practice, giving this proposition a good answer. His series of works represent or shape the key nodes of historical development in the founding of New China with the help of Cinema 1950 witch cloth draw, and is closely linked to the pulse of the entire era. Li Ming, former dean of Guangzhou Academy of Fine Arts, believes that from “When I Grow Up” to the later “Hard Times” and “Babaylan 1990 clothes draw”, to the later “Zhuhai Fisherman”, “Babaylan”, “Entertainment of the Land”, “Memorial Image of Liberation of Guangzhou”, etc., Pan He embraced the times and ideals with his memory, cognition and conscience, and made his creations close to the times.
American artist Wu Xinkun also said that Pan He’s works are rich in connotation, and believes that his works reflect historical stories, humanistic emotions, and people’s emotions towards social life, integrating the destiny of the country and nation into his works. “In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers are divided into the land. It is a work of the times,” he said.
“The key to whether a person has nationality lies in his thoughts rather than aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national.” Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since childhood. At the age of 14, he went to Foshan, Guangdong to study figure sculptures in Foshan; at the age of 19, he went to Macau to studyBabaylan 1990 cloth draw, I met the Italian sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Critic Liang Jiang said: “This context is the same as that of the Lingnan School of Painting. He has a very close relationship with the Lingnan School of Painting.” Liang Jiang believes that Pan He’s transformation of local factors into the historical narrative of the entire nation is an important aspect that should be paid attention to when studying regional art history and regional art masters. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid”, and believed that the title of this work has a very obvious Guangdong characteristic, and the Cinema 1950 witch cloth draw connected the Guangdong Cantonese cultural circle. His work “The Cow of the Land” is also an important work in which local factors participate in mainstream national discourse. Yin Shuangxi, a professor at the School of Fine Arts in Central Academy of Fine Arts, also said: “Mr. Pan He’s works can be resonated and responded to at every historical node of Cinema 1950 witch cloth draw. His works are all Komiks 1960 witch cloth draw can grasp the most important moments of the theme, plot, historical development and the psychological state of the characters, and use sculptures to turn the moment into eternity. “
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him, and Mr. Pan He left landmark works in two important cities in Guangdong, Zhuhai and Shenzhen. The spirit expressed by Shenzhen’s urban landmark “The Cow of Refining the Land” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core traits. Most of his classic works come from wonderful moments that touch him. “When I Grown Up” created in the early 1950s was a creation that he was inspired by the situation of rural teachers after participating in the “land reform”. Chairman Mao allegedly gave a high evaluation. This work also represented China in the International Mother’s Day Conference held in Switzerland and the fifth session in Poland.The World Youth Festival caused a sensation.
To Cinema 1950 witch urban drawTodayBabaylan 1990 cloth draw, Pan He used sculpture art to record the history of China’s recent and contemporary development, and also embodies the spirit of China’s reform and opening up. His outstanding contributions to the construction of socialist cities and cultural construction are obvious to all, beautifying the urban space and enriching the urban connotation.
Excellent in artistic form
From form to theme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is an embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that as a sculptor who grew up with the Republic, Mr. Pan He always revolves around the melody of the country and the times, but he often has novel ideas in art forms and finds a perfect combination between the form and the theme.
The Hard Years, created by Pan He in 1957, has become one of the must-have works for various art appreciation textbooks for primary and secondary schools and century-old art. This classic work has always been interpreted as a firm belief in expressing the hard environment of the Red Army. Previously, Pan He explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter what, the works reflect that in that difficult era, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human nature. No matter how hard or difficult life is, it is deceptive and negative. According to the old insurance of the old insurance of the Cinema 1950 witch cloth draw, it holds a belief in the beautiful future of life and the future.” Yin Babaylan 1990 cloth drawShuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation, and his works have strong themes. href=”https://funnybookish.com/”>Cinema 1950 witch cLoth draw nature, but his theme is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, attracting a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has taught for forty years and has cultivated batches of outstanding artistic talents with his unique educational philosophy.
The American artist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on ideological education. “He himself is an aesthetician and thinker. What he said has a great influence on me. For example, he said ‘no geeks://funnybookish.com/”>Komiks 1960 witch cloth draw’. He believed that literary and artistic works should not be perfect, and its shortcomings are its personality.” Wu Xinkun recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his learning experience. Pan He has always had a very unique personality in his studies. He believes that the teacher is not technical, but ideological, and he believes that the thought is ten thousand times stronger than the technique.
Pan He’s sculptures have far-reaching cultural significance for contemporary art. At the seminar, participants proposed that they should gather forces from multiple parties to collect and organize resources and conduct a comprehensive study of Pan He and his works; they hope to establish a team of sculpture theory research as soon as possible, sort out the development context of sculpture theoretically, and promote the development of disciplines. In the process of Guangdong art’s transformation from tradition to modernity, it has always been the first, the leading the times, and the path of change. It should focus on in-depth research on the Lingnan School of Painting, and compare vertically and horizontally through artists such as Pan He, and Komiks 1960 witch cloth draw in-depth discussion of Lingnan sculpture.