2020 Huadi Literature List Annual Short Stories ListKomiks 1960 witch cloth drawSingle (sorted by the first letter of the author’s name)
1. Emma “Music of Mustard Inn” “Chinese Writers” Issue 3, 2019
2. Chen Chongzheng “Remembering the Power of Guanyin” “Writer” 2019Babaylan 1990 witch cloth Issue 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 1950 witch cloth draw Chen Goodbye “Circus is Coming” People’s Literature” Issue 7, 2019
4. Chi Zijian “Steamed Horse Boots” “Zhongshan” Issue 1, 2019
5. Du Lan “Mihuo” “People’s Literature” Issue 1, 2019
6. Huang Jinshu “Late Youth” “Tianya” Issue 6, 2019
7. Ning Ke “Train” “Harvest” Issue 5, 2019
8. Shao Li “Father on the Rooftop” “HarvestKomiks 1960 witch cloth draw” Issue 3, 2019
9. Ye Zhaoyan “Wu Fei and Aunt Wu Fang” “Young Writer” Issue 7, 2019
Babaylan 1990 cloth draw10, Zhang Huiwen’s “Angel” “Literary Port” Issue 7, 2019
1
Emma “Must Seed Inn”
A Ideal Flower of Chivalrous
This is a novel with a novel narrative, combining traditional martial arts stories with modern societyKomiks 1960 witch cloth draw will blend in life, trying to reconstruct a new chivalrous world in the secular world. The strongest feeling when I first read this novel is that it is “fresh and lovely”. Xiao, the owner of Mustard Inn Babaylan 1990 cloth drawWan can be called a flower of ideals rich in chivalrous spirits blooming among secular sentient beings.
The novel fully establishes the character Xiao Wan in this cross-narrative between reality on the shore and the high shore. She is an “escaper” of urban life with a sense of life and pain, and Babaylan 1990 cloth draw is also a “bystander” of the restless and uneasy souls in our current social life. The novel has a ease of writing, a lofty style, and has “the beauty of literature and the truth of thought”, which ultimately points to the issue of human soul exile and placement.
■Xu Fuwei
2
Chen Chongzheng’s “Remembering the Power of Guanyin”
The post-80s writer brings a new experience
If the increasingly bizarre situation has caused the heroine’s inner belief to collapse, when she wants to get rid of her “life that makes her “shaking”, she can only destroy herself in a simple and cruel way.
Survival state, as the creative theme of literature, is never easy, but it is precisely because a good work has a transcendent cognitive and guiding role that this theme has become the goal of writers’ pursuit and competition. Chen Chongzheng’s novel brought us surprises. He disassembled and reassembled real life with his unique imagination and rich narrative meaning, as well as his in-depth thinking of “need to guess, need to guess riddles…”, opening up a channel of enlightenment for readers.
Babaylan 1990 cloth draw■Wen Huan
3
Chan Goodbye “Circus is Coming”
Mind-life in the middle-aged city
The young Chen Jiaojian is well-known in the literary world for a series of “county town novels”.
He is still a young man at present, but he has stretched his brushstrokes ahead of his age. But this time, he regarded the situation of the young people he had good at in the squeeze of material survival, and used it as a grid of specific backgrounds and details for the characters who grew up further, and emerged from his livelihood, just like a tenacious spider who had to look into the sky during the rainy season. “Cinema 1950 witch cloth draw Circus is about to Cinema 1950 witch cloth draw href=”https://funnybookish.com/”>Cinema 1950 witch cloth draw” So it showed a strange spirit, and we got a good novel with “coming soon” as the driving force of time and space construction.
Not only that, the intertextuality between “circus” and people in small towns is another profound meaning in the novel. Can imagined stories really transcend specific life? The fact that there is originally something that needs to be “not to be said” is what is the meaning of the novel trying to “speak”? The difference between the spirit of young people and the enthusiasm of middle-aged people is probably because middle-aged people begin to assume spiritual room and want to use this to reactivate the “dream pursuit” journey that they once had.
■Shi Zhanjun
4
Chi Zijian’s “Steamed Horse Boots”
The value in the life genealogy
Chi Zijian As an excellent writer who has been in the literary world for many years, he seems to have few short stories in recent years. The short story “Stewed Horse Boots” has a bit of a deep and profound meaning.
In the short time Babaylan 1990 cloth draw, Chi Zijian incorporated many elements such as history and reality, war and human nature, animals and human beings, and wrote the desolation of history and the warmth of human nature. In the heavy snow all over the sky, Chi Zijian’s graceful and calm brushstrokes still maintain her unique softness and considerate even though she shows the coldness and cruelty in a hostile environment. Whether it is wolf nature, human nature, death, or survivalKomiks 1960 witch cloth draw, Komiks 1960 witch cloth draw all maintain immortal value in the genealogy of life.
The novel adopts the “narration from a distance” method to allow the legend of the father to slowly unfold in the vision of “I”. It is the spirit of modern novels that makes such old stories of the Anti-Japanese United Nations shine with new literary brilliance.
■Wang Gan
5
Du Lan’s “Mihuo”
Cultural Palette and Mongolian Narrative
Du Lan’s short story “Mihuo” first grasped me with a personality style. There is no doubt that she belongs to the Mongolian people – the sheep are walking in the wind and snow, and the “Ga Le-Ga Le-” is earth-shaking. However, the author was born in 1999, which made me connect the language of my work with the Internet. Discourses like “Youth is keen on games” are full of the color of the Internet youth subculture. The language style of the Internet clan and the long-lasting language like Mongolian tribes interact to form a slightly dazzling, uncomfortable but full of personality.
The work is premiering with fables. A baby appeared in the ram’s belly, a paradoxical and weird ominous sign, so the “prairie faded” and the world suddenly changed; “I was shocked…” A series of mysterious and strange suspense symbols emerged in the middle of the real world. The indescribable symbols and pictures constitute the charming allegorical characteristics of the work.
■Jiang Bing
6
Huang Jinshu’s “Late Youth”
The Elegy of Desiring Change
Huang Jinshu’s narrative has wild imagination and distinct style, stirring up the mystery and vastness of the waves in the South China Sea. His short story “The Late Youth” integrates time, history, memory and identity, which is thought-provoking.
Although the mysterious young man has the ability to curb the flow of time, he still cannot catch up with the time threshold of the great turning point in history. This extreme juxtaposition reflects the insignificant lonely coldness of his individual in the face of the torrent of history.
Magic is both an unfulfilled hope and an elegy for a desire to change, presenting us with a unique fable of modernity. Late young people, tooIt is an unfinished youth, not only an inquiry of cultural identity by the Chinese in Southeast Asia, but also a world-wide revelation and breakthrough of the unfinished nature of modern Chinese literature.
■Wei Wei
7
I would rather “Train”
The Shadow of the Year The Voice of TimeCinema 1950 witch cloth draw
Thinkers would rather be good at literary exploration. The novel uses the wildness of the former teenagers to lead readers to take the whistling train, and together capture the broken shadows of the years from Lichang to Yongdingmen Railway Station in Beijing, and capture the clarity of the soul and the lost innocence of Xiaoqins in the center of growth.
In the depths of history and human nature, in the residential compound and the story space outside the capital, the sound of the train whistle turned into the sound of time in the novel, and rushed towards the youth with a bang, gradually becoming the ideal light of the novel, and also creating the author’s new historical narrative.
The narrative of the works is concise and spiritual, resolute and rhythmic; the novel is rough and warm, desolate and clear.
■Zhang Yanling
8
Shao Li’s “TianBabaylan 1990 cloth draw Father on the Stage”
Speculation why he couldn’t extricate himself
“Maybe I changed my faith after leaving that city.” This is the first sentence of the novel “Father on the Stage”. It is precisely because of this sentence that I value this novel. Especially the word “faith”, although slightly abrupt and introductory, it implies some differences in this work.
After reading, I found that this resultIt is a novel with profound connotation, a novel that touches faith and inner world. The novel constantly reproduces the ups and downs and fluctuations experienced by his father who committed suicide by jumping off a building. We have also learned about the bravery, righteousness, passion, stubbornness and frustration of his father. The most memorable scene is the details of his notes.
Stripping the surface of the narrative, we have a glimpse of the soul of my father Cinema 1950 witch cloth draw, and we also know that he is or has encountered a spiritual crisis. What we want to know most is undoubtedly why he can’t extricate himself?
So, do we know? No, we can only speculate. And this returns to the first sentence of the novel.
■Bao Shi
9
Ye Zhaoyan’s “Wu Fei and Aunt Wu Fang”
Exclusive artistic dialectics
Ye Zhaoyan beautifully completed a well-prepared artistic fight with “Wu Fei and Aunt Wu Fang”, which was also a very challenging writing adventure, that is, he wanted to write short stories that were “completely different” from others.
Incredible that this short story, which is less than 10,000 words, writes the ups and downs of life grudges and irresistible human entanglements of a pair of twin sisters, full of destiny and tragedy.
The novel looks complete from the big picture, and the details are rich and vivid from the small picture. The characters have a fullness that is about to emerge. It not only greatly expands the short story’s style of refracting history and presentation. Komiks 1960 witch cloth draw‘s artistic space, but also deeply conveys the tremor, despair and helplessness deep in the characters’ souls.
The story tells the story contains sadness in indifference and concern in alienation. The unique art of small and big, light and heavy in short stories is realized.
■ Gu Guangmei
10
Zhang Huiwen’s “Angel”
Find inner comfort
“Angel” is a delicate work full of sentimental feelings. Around my father’s funeral, the “I” who returned from a foreign land, with a desire to find the warmth of happy growth and blood ties, trying to relive the love with the “angel” in my heart when I was young.
However, when he Komiks 1960 witch cloth draw walks through this once familiar “small place”, he finds that all comfort becomes a hard, profit-oriented reality, and all admiration and longing transforms into simple carnal joy. The emotions between people are constantly alienating, but the calculation of each other’s interests has become a daily routine. They form a close isomorphic relationship with the cold and mud-covered streets of their hometown, so that the returning wanderers can no longer find inner comfort.
If we think that “Angel” is a simple nostalgic work that conveys the author’s questioning the utilitarian reality of Chinese society, it seems that it is not bad. But I prefer to regard it as a fable, because every time we return to our hometown, we always preset countless beautiful scenes in our hearts, and we will eventually be smashed without exception, but we are happy to be tired.
■Hongzhigang